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But I think that's a testament to the landscape that we live in now. Some networks have even farther to go than others. People want to see art that looks like themselves. I think it's recognizing that we want to create. I think that's all streamers, all platforms, all networks. PENNY: I don't think that's just indicative of there. I love the fact that it's such a different playing field now. Meanwhile, I remember seeing those sizzle reels that HBO would do 20 years ago, and it would be all white men and maybe one white woman if they included Sex in the City. Maybe there's a way to make that more clear. And so sometimes they'll be like, well that's not maybe as clear. Sometimes just having the conversation with them because they're reading it for the first time the way the audience will watch it for the first time. What were you guys thinking when you did this?" Because sometimes in the writer's room we might know something, but maybe it's not being translated fully that way on the page. When we get notes, it's a conversation, "Hey, this thing, we weren't sure about this. You feel like you're in a partnership, not an executive telling you, do this or else.
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Of course, they'll weigh in with amazing thoughts, but it's all about how to make the story better.
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Amy Gravitt and Casey Bloyd have always been, whatever you guys feel is right. You have that level of, they just trust you. They're all about, how do we try to hit a bullseye every time? And they're just always about that. It could be about serving that production company or serving that studio or serving that network or serving that executive. Sometimes in other places it can be a lot of chefs in the kitchen, a lot of people with an agenda that isn't about serving the show. When I had my time there, I've left and I'm at Disney now, but what I have always loved about them is that they're super creative, friendly-first and artist-friendly first, and it's all about serving the story. PENNY: I think what made HBO special is their history of shows that people love and people fall in love with. What about HBO has felt like the right place for these things? What makes HBO special? Looking forward, I saw that you've got a number of things lined up, including a fair number of things with HBO. So when we were ending the series, it was a lot of pressure on, well, what is the ending? What do we want to get them to? So for us, it was really about, that's the end of one decade. In the pilot, Molly's just gotten broken up with, kind of. All the characters are single, but dating. PENNY: There were absolutely factors in that we felt that what we wanted to do was, when you start the series, Issa's going from 28 to 29. Were discussions around those elements a big factor in the writing?
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This would be a better question to ask you after watching the series finale, but I feel like with final seasons there's a lot of pressure to end the show with a big life event - a big wedding, or someone has a baby. RELATED: 'Insecure' Season 4 Recap: Everything You Need to Know Before Season 5 That's where I feel like we eventually get her. I just have to learn how I deal with it in a way that's productive and not destructive." Then that's the journey. her character felt, "This will always be with me. I think that's the point it was for us, was that we wanted to let her character. I think anytime you're growing in some sort of capacity, it's all a coming of age no matter the physical age, because you may not learn a lesson until you're in your 50s. That's where we wanted to get the character. Either embrace them, or have the tools to understand what they mean.
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You just learn that they're always a part of you and for better or for worse, and that you find ways to deal with them. I think the place we always wanted to grow her was that your insecurities never leave. It's like she's starting in a place that's very insecure, and certainly wanting her insecurities to be over with at some point. I think that's similar for the characters in Issa. It's recognizing, going from thinking about yourself to thinking about others. He'll just do them voluntarily, asking "How can I help do this?" And I was like, that's coming of age. And she was like, he's a senior now, and he'll just do things that I don't have to tell him anymore. Doesn't really want to help around the house that much. She was saying that when he started high school, he was a typical boy. This is a weird tangent on this, but my wife and I were talking yesterday - she was telling me about a friend of hers who had a son who was 17. I think that's actually the perfect thing.